spkr.4 revision 21027
1.Dd November 7, 1993
2.Dt SPKR 4 i386
3.Os FreeBSD
4.Sh NAME
5.Nm speaker ,
6.Nm spkr
7.Nd console speaker device driver
8.Sh SYNOPSIS
9.Cd pseudo-device speaker
10.Fd #include <machine/speaker.h>
11.Sh DESCRIPTION
12The speaker device driver allows applications to control the PC console
13speaker on an 
14.Tn IBM-PC Ns --compatible
15machine running FreeBSD.
16.Pp
17Only one process may have this device open at any given time; 
18.Xr open 2
19and
20.Xr close 2
21are used to lock and relinquish it. An attempt to open when
22another process has the device locked will return -1 with an
23.Er EBUSY
24error
25indication. Writes to the device are interpreted as `play strings' in a
26simple ASCII melody notation. An 
27.Xr ioctl 2
28request
29for tone generation at arbitrary
30frequencies is also supported.
31.Pp
32Sound-generation does not monopolize the processor; in fact, the driver
33spends most of its time sleeping while the PC hardware is emitting
34tones. Other processes may emit beeps while the driver is running.
35.Pp
36Applications may call 
37.Xr ioctl 2
38on a speaker file descriptor to control the
39speaker driver directly; definitions for the 
40.Xr ioctl 2
41interface are in
42.Pa /usr/include/machine/speaker.h .
43The
44.Li tone_t
45structure used in these calls has two fields,
46specifying a frequency (in Hz) and a duration (in 1/100ths of a second).
47A frequency of zero is interpreted as a rest.
48.Pp
49At present there are two such
50.Xr ioctl 2
51calls.
52.Dv SPKRTONE
53accepts a pointer to a
54single tone structure as third argument and plays it. 
55.Dv SPKRTUNE
56accepts a
57pointer to the first of an array of tone structures and plays them in
58continuous sequence; this array must be terminated by a final member with
59a zero duration.
60.Pp
61The play-string language is modelled on the PLAY statement conventions of
62.Tn IBM 
63Advanced BASIC 2.0.  The
64.Li MB ,
65.Li MF ,
66and
67.Li X
68primitives of PLAY are not
69useful in a timesharing environment and are omitted. The `octave-tracking'
70feature and the slur mark are new.
71.Pp
72There are 84 accessible notes numbered 1-83 in 7 octaves, each running from
73C to B, numbered 0-6; the scale is equal-tempered A440 and octave 3 starts
74with middle C.  By default, the play function emits half-second notes with the
75last 1/16th second being `rest time'.
76.Pp
77Play strings are interpreted left to right as a series of play command groups;
78letter case is ignored. Play command groups are as follows:
79.Bl -tag -width CDEFGABxx
80.It Li CDEFGAB
81Letters A through G cause the corresponding note to be played in the
82current octave.  A note letter may optionally be followed by an 
83.Dq Em "accidental sign" , 
84one of # + or -; the first two of these cause it to be sharped one
85half-tone, the last causes it to be flatted one half-tone.  It may
86also be followed by a time value number and by sustain dots (see
87below).  Time values are interpreted as for the L command below.
88.It Ns Li O Sy n
89If
90.Sy n
91is numeric, this sets the current octave.
92.Sy n
93may also be one of
94.Li L
95or
96.Li N
97to enable or disable octave-tracking (it is disabled by default).
98When octave-tracking is on, interpretation of a pair of letter notes
99will change octaves if necessary in order to make the smallest
100possible jump between notes. Thus ``olbc'' will be played as
101``olb>c'', and ``olcb'' as ``olc<b''.  Octave locking is disabled for
102one letter note following >, < and O[0123456].  (The octave-locking
103feature is not supported in 
104.Tn IBM
105BASIC.)
106.It Li >
107Bump the current octave up one.
108.It Li <
109Drop the current octave down one.
110.It Ns Li N Sy n
111Play note 
112.Sy n ,
113.Sy n
114being 1 to 84 or 0 for a rest of current time value.
115May be followed by sustain dots.
116.It Ns Li L Sy n
117Sets the current time value for notes.  The default is 
118.Li L4 ,
119quarter or crotchet notes. The lowest possible value is 1; values up
120to 64 are accepted.
121.Li L1
122sets whole notes,
123.Li L2
124sets half notes,
125.Li L4
126sets quarter notes, etc.
127.It Ns Li P Sy n
128Pause (rest), with 
129.Sy n
130interpreted as for 
131.Ns Li L Sy n .
132May be followed by
133sustain dots.  May also be written
134.Li ~ .
135.It Ns Li T Sy n
136Sets the number of quarter notes per minute; default is 120.  Musical
137names for common tempi are:
138
139.Bd -literal -offset indent
140        	Tempo    	Beats Per Minute
141very slow	Larghissimo	
142        	Largo    	40-60
143         	Larghetto    	60-66
144        	Grave       	
145        	Lento       	
146        	Adagio       	66-76
147slow    	Adagietto    	
148        	Andante   	76-108
149medium   	Andantino	
150        	Moderato	108-120
151fast    	Allegretto	
152        	Allegro   	120-168
153        	Vivace    	
154        	Veloce    	
155        	Presto    	168-208
156very fast	Prestissimo	
157.Ed
158.It Li M[LNS]
159Set articulation.
160.Li MN
161.Ns No ( Li N
162for normal) is the default; the last 1/8th of
163the note's value is rest time. You can set
164.Li ML
165for legato (no rest space) or
166.Li MS
167for staccato (1/4 rest space).
168.El
169.Pp
170Notes (that is,
171.Li CDEFGAB
172or
173.Li N
174command character groups) may be followed by
175sustain dots. Each dot causes the note's value to be lengthened by one-half
176for each one. Thus, a note dotted once is held for 3/2 of its undotted value;
177dotted twice, it is held 9/4, and three times would give 27/8. 
178.Pp
179A note and its sustain dots may also be followed by a slur mark (underscore).
180This causes the normal micro-rest after the note to be filled in, slurring it
181to the next one.  (The slur feature is not supported in 
182.Tn IBM
183BASIC.)
184.Pp
185Whitespace in play strings is simply skipped and may be used to separate
186melody sections.
187.Sh BUGS
188Due to roundoff in the pitch tables and slop in the tone-generation and timer
189hardware (neither of which was designed for precision), neither pitch accuracy
190nor timings will be mathematically exact. There is no volume control.
191.Pp
192The action of two or more sustain dots does not reflect standard musical
193notation, in which each dot adds half the value of the previous dot
194modifier, not half the value of the note as modified.  Thus, a note dotted
195once is held for 3/2 of its undotted value; dotted twice, it is held 7/4,
196and three times would give 15/8.  The multiply-by-3/2 interpretation,
197however, is specified in the 
198.Tn IBM
199BASIC manual and has been retained for
200compatibility.
201.Pp
202In play strings which are very long (longer than your system's physical I/O
203blocks) note suffixes or numbers may occasionally be parsed incorrectly due
204to crossing a block boundary.
205.Sh FILES
206.Bl -tag -width /dev/speakerxx
207.It Pa /dev/speaker
208speaker device file
209.El
210.Sh SEE ALSO
211.Xr spkrtest 8
212.Sh AUTHOR
213Eric S. Raymond <esr@snark.thyrsus.com) June 1990
214.Sh "PORTED BY"
215Andrew A. Chernov <ache@astral.msk.su>
216.Sh HISTORY
217The
218.Nm
219device appeared in FreeBSD 1.0.
220